![]() It is these moments of emancipation for music, which open a whole new vein for a musical revolution. Music subordinates to itself what’s encapsulated it. It defines a separate subsistence for itself and sometimes it has such force that the relation of subordination gets reversed dramatically. However, what I am talking about is more I am talking about the music which transcends its very existence out of (for) which it arises. What does this even mean? I am talking about the music prepared for another meta, as a supplementary, for a film, a video game, episodes of a TV series. If there was ever a time when music grew bigger than what it was subordinated to, it is these last few years.
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